Tag #seequeensland

CLEVELAND | This week is the final week of our latest exhibitions at RAG, Cleveland. ‘JamFactory ICON: Clare Belfrage: A Measure of Time’ and ‘Presence of Place: Catherine Parker’. The delicate works of Clare Belfrage and the intricate works of Catherine Parker will be on display until this Sunday 18 October. Image: Clare Belfrage, ‘A Measure of Time’, collection of works (detail) 2018, tallest height 530mm. Photography by Pippy Mount. Image: Catherine Parker, ‘Presence of P...lace’, collection of works, 2018-2020. Courtesy of the artist. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart

REASONABLE & NECESSARY: PRINTS AND ARTIST BOOKS BY ARTEL ARTISTS | This week is the final week to see the amazing works from the Artel Artists at RAG Capalaba. Artel, the creative studio of CPL is located in Redcliffe and provides the necessary tools, space, and instruction to support its artists to creatively express themselves as a dynamic artistic movement. Exhibition closes Tuesday 13 October 2020. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #accessability

PRESENCE OF PLACE: CATHERINE PARKER Have you been in to see Catherine Parker’s solo show at RAG, Cleveland? Her intricate small-scale works are filled with wonder and intrigue as she explores the mystery in our everyday surroundings. Presence of Place: Catherine Parker RAG, Cleveland Sunday 13 September Sunday 18 October... Images: Various works by Catherine Parker. Courtesy of the artist. #redlandartgallery #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart

COLLECTION FEATURE - NAIDOC 2020 | After being taught to weave by her mother, Elisa Jane Carmichael developed a passionate to expand her understandings of traditional fibre practices. After viewing historical museum collections, Carmichael was inspired by the possibilities of using fibre to create wearable objects, and how traditional weaving practices can be revived through fashion. Traditional fibres and techniques such as string weaving have become significant elements in ...Carmichael’s art, where she simultaneously maintains their continuation and honours their importance to her heritage. '‘Carrying Home’ is a dual portrait of myself. It’s about who I am today and my place as an Aboriginal woman: a saltwater woman living in desert country. By living in desert country, I have learnt that saltwater is with me wherever I go. I am carrying home with me. Wearing my own woven garments, fish traps, and adornments, I stand in locations five minutes away from my home in saltwater country and five minutes away from my home in desert country. I carry the sea with me wherever I go.' In the saltwater image Carmichael explains: 'I wear a woven dress depicting the Aboriginal flag and emerge, a saltwater woman, from the ocean at Home Beach. The fish trap extends my thinking about our women and how they would gather food in the beach environment, but also describes the change inherent in being an Aboriginal women today, in times which remain difficult.' Image: Elisa-Jane Carmichael, 'Carrying home #1 (saltwater)', 2017. Digital print on rag peal paper. Redland Art Gallery Collection. Acquired in 2017 with Redland Art Gallery Acquisition Funds. Courtesy of the artist. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #collectionfeature #NAIDOC2020

COLLECTION FEATURE - NAIDOC 2020 | 'Our life and the Back Beaches life is intertwined. A feather star sits at the top of my design, as they sometimes wash up on shore. They are a sight to see. They look dangerously beautiful, you want to touch them, but you don’t, as it’s very painful. Eugarie shells are a big part of our lives, since the beginning of time and still today. We use our eugaries in many different ways. My Mum still makes a broth into medicine for our colds and f...lues and it still tastes good, my favourite is eugarie curry and rice and bush lemons. In the background, lines depict the tide coming in and going out leaving behind sandlines. Large deep green kelp also washes upon the Ocean Beach and scattered eugarie shells sit on the beach lines. This design is very special to me it’s in my heart and soul.' Belinda Close is a proud Quandamooka woman, with family connections to Gorenpul, Ngugi and Noonuccal clans. Her practice draws inspiration from being a lifetime resident on Minjerribah (North Stradbroke Island) and shares her memories, stories and experiences. 'I paint my country and the stories that belong to home and I want to keep on painting because there is so much that I want to share and tell to the generations coming behind. I let the paintings tell my stories.' Image: Belinda Close, 'Eugaries at Back Beach in my heart and soul 2' (detail), 2015. Linoprint with water based ink on cotton. Redland Art Gallery Collection. Acquired in 2015 with Redland Art Gallery Acquisition Funds. Courtesy of the artist. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #collectionfeature #NAIDOC2020

COLLECTION FEATURE - NAIDOC 2020 | 'My practice explores the relationship between environment, geography and identity. I often use maps in my work, drawing on toponymy (the study of place names) to probe myths and methodologies around colonisation. Renaming places and replacing Aboriginal names was an assertion of colonial power and dominance, as was the continued mining and excavation of Indigenous sacred sites. It renders a landscape void of markers once used to navigate... through Country, to find our way home. By transposing names and places significant to Aboriginal groups onto old military and topographical maps that depict the land devoid of Aboriginal occupation, I seek to reveal multilayered and multiple histories and perspectives. In this way my work aims to re-image and remap history and recreate our sense of place and identity. My work is inspired by the stories of my people and our Country, coastal North Stradbroke Island (Minjerribah), and the sense of connection we have to the landscape. When I’m there I feel like I am back to where I belong, I am welcome there. It is our place, it will always be our place and being there reminds me of who I am and where I am going.' Image: Megan Cope, 'Myora', 2011. Military maps, Indian ink and synthetic polymer paint on canvas. Redland Art Gallery Collection. Acquired in 2014 with Redland Art Gallery Acquisition Funds. Courtesy of the artist. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #collectionfeature #NAIDOC2020

NAIDOC 2020 | Always Was, Always Will Be, this year's NAIDOC Week theme, recognises that First Nations people have occupied and cared for this continent for over 65,000 years. Over the next week, we will be featuring works from First Nations artists from the RAG Collection, and the story behind these brilliant pieces. For more information on the history of the week and events you can get involved in, head to the link below!... https://www.naidoc.org.au/ #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #collectionfeature #NAIDOC2020

IN FOCUS 2020 | SHORE STUDIO | Learn more about the local art groups who feature in this year’s In Focus 2020 exhibition at RAG, Capalaba. This fortnight we're talking to Dr Michelle Mansford from Shore Studio. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #artgroup

COLLECTION FEATURE - NAIDOC 2020 | After being taught to weave by her mother, Elisa Jane Carmichael developed a passionate to expand her understandings of traditional fibre practices. After viewing historical museum collections, Carmichael was inspired by the possibilities of using fibre to create wearable objects, and how traditional weaving practices can be revived through fashion. Traditional fibres and techniques such as string weaving have become significant elements in ...Carmichael’s art, where she simultaneously maintains their continuation and honours their importance to her heritage. '‘Carrying Home’ is a dual portrait of myself. It’s about who I am today and my place as an Aboriginal woman: a saltwater woman living in desert country. By living in desert country, I have learnt that saltwater is with me wherever I go. I am carrying home with me. Wearing my own woven garments, fish traps, and adornments, I stand in locations five minutes away from my home in saltwater country and five minutes away from my home in desert country. I carry the sea with me wherever I go.' In the saltwater image Carmichael explains: 'I wear a woven dress depicting the Aboriginal flag and emerge, a saltwater woman, from the ocean at Home Beach. The fish trap extends my thinking about our women and how they would gather food in the beach environment, but also describes the change inherent in being an Aboriginal women today, in times which remain difficult.' Image: Elisa-Jane Carmichael, 'Carrying home #1 (saltwater)', 2017. Digital print on rag peal paper. Redland Art Gallery Collection. Acquired in 2017 with Redland Art Gallery Acquisition Funds. Courtesy of the artist. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #collectionfeature #NAIDOC2020

COLLECTION FEATURE - NAIDOC 2020 | 'Our life and the Back Beaches life is intertwined. A feather star sits at the top of my design, as they sometimes wash up on shore. They are a sight to see. They look dangerously beautiful, you want to touch them, but you don’t, as it’s very painful. Eugarie shells are a big part of our lives, since the beginning of time and still today. We use our eugaries in many different ways. My Mum still makes a broth into medicine for our colds and f...lues and it still tastes good, my favourite is eugarie curry and rice and bush lemons. In the background, lines depict the tide coming in and going out leaving behind sandlines. Large deep green kelp also washes upon the Ocean Beach and scattered eugarie shells sit on the beach lines. This design is very special to me it’s in my heart and soul.' Belinda Close is a proud Quandamooka woman, with family connections to Gorenpul, Ngugi and Noonuccal clans. Her practice draws inspiration from being a lifetime resident on Minjerribah (North Stradbroke Island) and shares her memories, stories and experiences. 'I paint my country and the stories that belong to home and I want to keep on painting because there is so much that I want to share and tell to the generations coming behind. I let the paintings tell my stories.' Image: Belinda Close, 'Eugaries at Back Beach in my heart and soul 2' (detail), 2015. Linoprint with water based ink on cotton. Redland Art Gallery Collection. Acquired in 2015 with Redland Art Gallery Acquisition Funds. Courtesy of the artist. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #collectionfeature #NAIDOC2020

COLLECTION FEATURE - NAIDOC 2020 | 'My practice explores the relationship between environment, geography and identity. I often use maps in my work, drawing on toponymy (the study of place names) to probe myths and methodologies around colonisation. Renaming places and replacing Aboriginal names was an assertion of colonial power and dominance, as was the continued mining and excavation of Indigenous sacred sites. It renders a landscape void of markers once used to navigate... through Country, to find our way home. By transposing names and places significant to Aboriginal groups onto old military and topographical maps that depict the land devoid of Aboriginal occupation, I seek to reveal multilayered and multiple histories and perspectives. In this way my work aims to re-image and remap history and recreate our sense of place and identity. My work is inspired by the stories of my people and our Country, coastal North Stradbroke Island (Minjerribah), and the sense of connection we have to the landscape. When I’m there I feel like I am back to where I belong, I am welcome there. It is our place, it will always be our place and being there reminds me of who I am and where I am going.' Image: Megan Cope, 'Myora', 2011. Military maps, Indian ink and synthetic polymer paint on canvas. Redland Art Gallery Collection. Acquired in 2014 with Redland Art Gallery Acquisition Funds. Courtesy of the artist. #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #collectionfeature #NAIDOC2020

NAIDOC 2020 | Always Was, Always Will Be, this year's NAIDOC Week theme, recognises that First Nations people have occupied and cared for this continent for over 65,000 years. Over the next week, we will be featuring works from First Nations artists from the RAG Collection, and the story behind these brilliant pieces. For more information on the history of the week and events you can get involved in, head to the link below!... https://www.naidoc.org.au/ #thisisqueensland #redlandcity #redlandscoast #seeaustralia #seequeensland #redlandsanyday #brisbaneart #collectionfeature #NAIDOC2020